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Liberal News and Commentary
Monday, October 13, 2003

School Prayer Dispute Gets Worse
Lawsuit Increasing Likely

      The school prayer dispute involving my daughter is getting increasingly worse.  In the past week, I've learned more, much more, about the two songs at issue.

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      It turns out that the first song, Hashiveinu, is one of the most significant prayers in all of the Jewish tradition.  The lyrics of the song are the words of Chapter 5, Verse 21 of the Book of Lamentations.  Here are the Jewish translation and the Christian translation.  However, there's more.

      One of the most sacred of Jewish holy days is Tisha B'Av.   The Orthodox (Jewish) Union describes Tisha B'Av (Tisha means the ninth day of the month;  B' means in;  Av is the eleventh month of the year in the Jewish calendar) as "the saddest day on the Jewish calendar because of the incredible series of tragedies which occurred on that date throughout Jewish history."  Each year, many observant Jews fast the whole day on Tisha B'Av and go to the synagogue to pray.  The most sacred, most significant and most important prayer of the annual Tisha B'Av observance is Hashiveinu.  The Orthodox Union even has a special page on the internet to discuss the intense sacred meaning to Jews of Hashiveinu.

      Not only that, the final phrase of the Hashiveinu verse, Renew our days as of old, also has very intense and significant religious meaning to Jews.  The Orthodox Union's web page on that phrase concludes as follows:  It is for this and many other aspects of a life of Torah and Mitzvot, that we pray, HASHIVEINU HASHEM EILECHA V'NASHUVA, CHADEISH YAMEINU K'KEDEM.  The words in upper case letters are the lyrics (Hashem and Adonai are two different names that Jews use for God) to the Hashiveinu prayer that my daughter has been asked to chant in her public school chorus because, according to School District 21, it is "just an Israeli folk song."

      For School District 21 to characterize the intensely sacred Hashiveinu prayer as "just an Israeli folk song" is an insult to the Jewish religion and an insult to all Jews everywhere.  It would be calling a tallis just an Israeli scarf.  It would be like calling a kipah just an Israeli hat.  It would be like calling a crucifix just a piece of Italian costume jewelry, as if it had no sacred significance.  It would be like calling "Our Father Who Art in Heaven" and "Hail Mary" just a couple of Italian poems.

      What we're left with, then, is School District 21 taking the central prayer from the intensely sacred Tisha B'Av holy day observance and passing that prayer off as just an Israeli folk song.  How can School District 21 do that?  I won't tolerate that level of insensitivity towards the Jewish community and neither should you.  School District 21 must not use one of the most sacred prayers in all of Judaism as a song to be casually sung in one of its choral programs, as if it this most holy of prayers is a mere throw-away folk song.  I will go to court to stop it if I have to.   It's time for School District 21 to stop playing games with peoples' religious beliefs.

      Then there's the other song, Going Up Yonder.  The song is a Negro spiritual, which would be OK if it merely had religious references and was non-proselytizing.  However, this song is intensely religious and proselytizing.

      The lyrics refer to the Lord as being the savior.  There is only one particular Lord who is regarded as "the savior:"  Jesus Christ.

      The lyrics of the song, then, have the singer proclaiming, in effect:  "Jesus is Lord.  When I die, which is about to happen, I will go to heaven to be with Jesus because Jesus is the savior."  That song may be fine for church on Sunday, but it's hardly the kind of thing that School District 21 should be asking my atheist daughter to proclaim in a program of secular education at a public school.

      There's more.

      The School District engaged a guest conductor to both lead the chorus and provide staff development instruction, which is fine.  The guest conductor is the highly regarded and nationally reknowned Emily Ellsworth of the Glen Ellyn Children's Choir.  She surely is an outstanding talent.  However, according to the web site about the GECC, her specialty seems to be "Christian sacred choral music."  That's fine for a private group in central DuPage County, Illinois, which is one of the most Republican places in the country, but such songs are inappropriate for a public school setting that has a diverse constituency, particularly when one member of the chorus is a well-known atheist.

      It is the job of the School District to establish the ground rules for Miss Ellsworth's participation in the choral program, not the other way around.  If Miss Ellsworth will only participate on a condition that we include intensely religious Christian or Judeo-Christian sacred music, then the school district must tell Miss Ellsworth that her requirement is not doable in a public school setting.

      We, in this country, no longer condone or tolerate sexual harassment of women.  Such harassment may still take place, but as a public policy matter, we don't put up with it, any more.  Similarly, we, in this country, no longer condone or tolerate racial harassment of Blacks.  I am doing, and will do, whatever is takes to end publicly condoned and tolerated religious harassment of atheists.  I won't stand for it, and if it takes going to court to stop publicly sponsored anti-atheist harassment, that's exactly what I'll do.

      School District 21 wouldn't think of including racist or sexist songs in one of their choral programs.  I won't put up with songs that harass atheists, either. Those two songs must be removed from the program or I will go to federal court to make it happen.

      Up until this point, the School District has contended, to me, that the two songs represent cultural diversity.  That assertion, however, is preposterous.  It's reminiscent of the line from the Blues Brothers movie in which either Jake or Elwood asked the woman who owns the bar, "What kind of music do you play here?"  The response was, "Oh, we play both kinds:  Country and Western."  So much for diversity.  Now, School District 21 wants me to believe that their selection of music constitutes cultural diversity because they have included both kinds of music:  Judeo and Christian.

      No Hispanic music has been included, even though about one third of the District students now are from that culture.  No Korean, Japanese, Polish or Russian music has been included, even though there has been substantial immigration from those lands.  No rock-and-roll or disco music has been included, even though most parents of students at the school grew up in the '50s, '60s or '70s and like that kind of music.  There is no country and western music, even though some residents presumably grew up in the South.  There is no adult standards (Frank Sinatra-type) music, even though the grandparents of many students fell in love listening to that stuff.  There's no Native American music or even Arab music (do Arabs listen to music, or is that a sin to them?).  There is no opera music nor songs from American musicals.  To School District 21, musical diversity is achieved solely by including proselytizing Judeo-Christian sacred music that either promotes belief in Jesus or urges atheists to convert to being god-believers.

      The Pioneer Press Newspapers Buffalo Grove Countryside had a story about this dispute in last Thursday's weekly edition.  The story was entitled, Song Raises Ire of Local Atheist.  They also had an editorial supporting my objection, entitled Singing Wrong Tune.  The School Board will be meeting on Thursday evening to decide what to do about this matter.  They must remove both songs from the program or I will go to federal court on Friday.  They also must ensure that any songs that they select which have religious references are not bible passages, non-proselytizing, and do not ridicule, insult or condemn atheists or atheism.

      With all this going on, there is yet another major holy war happening right now in Buffalo Grove.  Details on that other holy war will be presented in the next Liberal News & Commentary.

         Rob Sherman          

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